Showing posts with label antagonists. Show all posts
Showing posts with label antagonists. Show all posts

Thursday, January 15, 2015

Making Progress with Strategic Communication

My first discussion post for Strategic Communication class asked how we viewed communications in the past and to reflect upon the materials provided by our instructor. Which perspective did we find most helpful to our understanding of strategic communication? You all know me. I can't resist using personal experience in any challenge. This is about progress, so why not?

When Hatch (2013) mentions Malinowski’s photograph of the anthropologist observed by the natives (p. 39) it struck me as funny and reminded me of another photograph I had found years ago. In my photo, one guy is digging a hole. Joe, according to his name tag, is surrounded by several folks with similar name tags, only each of the observers has a title rather than a name, with “manager” on the end of their titles or “lead” at the front: Operations Manager, Lead Technician, Total Quality Manager, Facilities Manager, Heavy Equipment Manager, Lead Gopher, etc. all surrounding, watching, and pointing at Joe, the hole digger. Ironic? How many managers does it take to dig a hole? Zero. Just hire Joe.


This guy has no name.


I think I’ve been kicked around over the years with having a boss clearly focused on the modern organization theory and driven by the contingency theory in organizing teams, to having a new boss who might be a fan of the postmodern perspective. I’ll explain:

My old boss owned a software company and when he put me to work on a project team, I always found myself faced with clients having insatiable appetites for sabotaging my work. Though failures on my part, each project was a successful outcome for my boss, because he had predicted my failure. He would swim in terms such as risks and constraints, assumptions, deliverables, and return on investments, all things measurable.



In my blind desire to be successful, I didn't realize my boss had not placed these same criteria for success on other analysts, so I quit playing his game and played like the others, refusing to provide him with time-wasting flowcharts, timelines, and graphs. Soon enough, I was taking on projects, reaching out to clients, and making successes (completing goals and objectives I had set for myself).

The old boss has since retired, taking with him his mask of the grand narrative. I can relate with the postmodern perspective much more because of my painful experiences dictated by the tyrant.

There is no right way to do things and by the time you’ve grown accustomed to your comfort zone, someone comes along using new terminology for the same things you’ve been working on for years, but now you’ve become seated in your ways and management isn't happy. They want change. The newly employed use fancy words explaining the same symbols of the past and management is in awe.




The emerging discourse, through hidden meetings where veteran employees are excluded and new employees become heroes, plays out until someone at the top realizes there is a communication problem which if left alone could likely embarrass the organization as a whole.

It came at a meeting and was announced that our CEO made this perfectly clear. The word “dashboard” is not to be used in any context when introducing our new portal to members. He insisted there is a public profile and a personal profile. Why not the new flashy “dashboard” terminology the new guy used the other day? Because we are not implementing a DASHBOARD, it’s a personal profile page!


How much does communication or lack thereof play a part in your successes and/or failures?



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Sunday, December 14, 2014

Thug Style Seems to Work

Classes start the 2nd week of January, 2015, but God has already taken me to task and is preparing me for my journey.

The first validation came in the form of a rare and challenging moment. It was in the midst of my attempting to acquire seats on a flight after having paid $1,100.00 for airline tickets to Roanoke, VA. Being a software developer, I understand systems go down at routine intervals for maintenance and such, thereby leaving websites unavailable to provide services. I also appreciate the alternative option of picking up the phone and calling the number provided in order to finish my transaction and ensure a product with which I will be satisfied, namely, a flight with assigned seats which will allow me to travel beside my companion and love of my life.

This was my ordeal while attempting to access the telephone version of whatever system assigns seats at this particular airline:

Airline recording: Please state your confirmation number using words in place of letters, such as C as in Charlie or P as in Paul. 
Diane: G as in God, B as in Boy, D as in Dog, K as in Kelly, 2, 5. 
Airline recording: I'm sorry, your answer is confusing. Many words sound the same. Please distinguish your letters and remember, C as in Charlie or P as in Paul. Please state your confirmation number. 
Diane: G as in Good, B as in Boy, D as in door, K as in Kellogg's Frosted Flakes, 2, 5. 
Airline recording: I'm sorry, your answer is confusing. Many words sound the same. Please distinguish your letters and remember, C as in Charlie or P as in Paul. Please state your confirmation number. 
Diane: How about F*** OFF?!!!! 
Airline recording: One moment while we transfer you to someone who can further assist you.

Further assist? You haven't assisted me AT ALL. You've only managed to waste my damn time!


THIS is why I chose the Communications Program...in the name of progress, of course. It's in my purpose statement, I promise. :)

Do you find this form of open-ended communications a waste of time? When is it appropriate to provide some human intervention?


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Saturday, November 15, 2014

The 5 Office Villains

When I think about the villains I'd like to develop, I imagine those people I've known in the past who annoyed the hell out of me. Is it a great way to get sued? I don't think so, because these folks are everywhere, and it's kind of hard to pinpoint oneself when you aren't even aware that you have these annoying qualities.

My favorite villains are those driven by insecurities rather than the goals and objectives they set, unlike evil lords and emperors, who basically have no weaknesses. Those archetypes either want to destroy the world or own it. That's boring. It's more fun to watch the amateurs! :)


The Identity Thief

This is the person who wants to be you. They love everything about you, but won't admit it. They want your money, your looks, and your brains. Why? How the hell else are they going to be like you without stealing your identity? It's not like they can work for it themselves, lazy bums.




At the end of my story, this person would unknowingly steal the identity of a convicted child molester who violated probation for failure to register as a known sex offender. That'll teach them. =)


The Ignorant Narc

She's in everyone's business and thinks nobody knows she secretly envies everyone who has anything she doesn't, which is basically a lot to make up for. She has nothing going on in her life, so she reports on everything going on in your life, in your friend's life, in your dog's life, and essentially anything else she can make up. Little does she know, the person to whom she's reporting these things also thinks she's a loser.




It's hard not to feel sorry for this character, so in order to avoid making her a sympathetic character, she cannot EVER feel loneliness or self-pity. Keep the evil intact and do not give her any redeeming qualities.


The Immoral Whore

You know this person as the one who is sleeping with the boss to get ahead. He thinks everything is discreet as he slips into the big cheese's office to get a little quickie. He comes out adjusting his tie and gives his colleagues a little wink before heading back to his office.




He takes long lunches with the boss, they wait on each other before heading over to the "big" morning meeting, and they laugh and joke, coffee in hand, on the way back from the "big" meeting. He eventually gets fired for under performance, but we saw that coming, didn't we?


The Dastardly Moron

This one likes to be the smart guy who knows everything about anything, but nobody's allowed to actually SEE any of this knowledge in any sort of product he has created. You only get to hear him talk about his prowess, but you never see the results of anything he's ever accomplished.




Don't disturb him, either. He's BUSY! The boss is convinced this guy is a genius and now our superstar is trying to figure things out, all on his own, before he's found to be an utter moron. All the while he's screwing up all those things you will eventually have to fix once he's fired.


The Yes Man

Tim says I must absolutely list the "Yes" man. But I'll stop picking on the guys so much, so this next one will have to be the "Yes" woman. You know her as that person who agrees wholeheartedly with the new boss every chance she gets, no matter the utter moronic decisions executed.




The new boss says, "I think [Dastardly Moron] is doing an outstanding job. I think I want to promote him to management."

[Yes Woman] says, "Oh I AGREE with you! [Dastardly Moron] would make an excellent addition to the management team. Great call, boss! When I first met you, I just knew you would take charge and come in and get shit done around here. Are those new shoes? Those look like a pair I have at home. I do admire your taste."

Now, get back to work. But, share this first. We need to spread the word about this untapped resource of readily available villains.

Which of these would you vote as most annoying?



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Sunday, October 5, 2014

When There's a Lack of Progress

I've been thinking a lot about my career lately and what seems to be the progress I have NOT made. It appears whenever opportunity knocks and I decide to answer, the door gets swiftly shut in my face. But you know what? Life isn't over by a long shot. You can do things to make a more positive experience for yourself. One of those things is to list out the obstacles which keep you down. Share them with friends and family. Get some input and have a few laughs. Try not to let things get you down. Your day is coming!

Here is my list of 5 things that go wrong in the work place and how you can combat them to make your life bearable again.




Lack of Motivation



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Don't give up! Find new things to occupy your mind while others around you are attempting to drown out your enthusiasm. Why? Because when you find new things that spark your interest, you're likely to find others who will follow. There IS a difference between controlling the status quo and paving a path to a brighter future. Be that change you want to see. Don't just let things happen to you.




Lack of Experience



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Are you watching the same mistakes being made from afar? You know what's wrong, but you don't have the authority to step in and give a helping hand, right? Do it anyway. Point out the obvious. You are more likely to get a thank you than an angry outburst for your meddling behavior.




Lack of Supervision



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You've seen it, too? Those irresponsible twits who get away with everything they're doing wrong, never to be held accountable for their actions. Yeah, annoying as hell. If something is getting ready to land on your ass, you need to say something. If you don't say anything, you're just as guilty when something goes wrong.




Lack of Proper Coaching



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When relying on teamwork, it's very painful when you make the right move and the other player is not focused on the task at hand. Makes for a big disappointment, one which overshadows your wonderful skills and desire to perform well. Be patient. If you have a coach, remember, they don't like to lose either. Some adjustments might need to be tweaked. Give it some time. The team will come together if the right coach is in place.




Lack of Professionalism



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No need to explain this one. We all know too well those at work who seem to throw things in your face whenever the opportunity presents itself. They love to remind you how great they are and how not so great you are. Sure, they don't know how transparent they are, they just think they're too cool to deal with you on a professional level.






I think for now, I'm done. Let this be a lesson to you all. Play nice, and remember…always know, life is too short to let these things bother you.

I'm good, you're good, and life's good. Peace out!

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Do you find these things in your life or at work? If you have a situation to add, please do so in the comments!



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Wednesday, July 23, 2014

New Design Launch and Snow Leopard Excerpt

This is not the story I'd promised with the launch of my new look and feel for Are We There Yet? Instead, I'm sharing with you the things which keep me captivated in this world of reading and writing fiction: a world where our protagonists, villains, antagonists, and other supporting characters spring from the imaginations of writers who use nothing more than mere words to engage us and suck us into the madness.

Madness?! What do you mean madness?


Freaky mad!!  Or just freaky?


What else would you call it when you block yourself off from the rest of the world to drink in the surroundings of some fictional tale involving murder, mayhem, and chaos? Or a futile fair tale romance that could never be because, in reality, we're not as perfectly beautiful, wealthy, and flawless as our fictional heroes and heroines?

The things that captivate me while reading a fictional story is the imagery. The way a writer can describe a sound or color.  I like Steven King's description of the sound made by a hungry stray dog while ripping hair from the scalp of a dead man. It was in his book Gerald's Game.  The scene was hideously gruesome, and so vividly clear that I could actually hear the sound itself, even though I would never have imagined it before.

Another thing that I like is the bringing together, in an artistic way, events which trigger a particular emotion. Sort of like in Enchantment, where Orson Scott Card describes the villainous witch, Baba Yaga. She is brushing her hair in front of this magical mirror which makes her look young and beautiful. She hums a tune while her husband watches in disgust. Through his own eyes, he sees a witch-like, wrinkled, and hideously grotesque blob. It makes you kind of forget how evil and awful she is for a moment, and you feel pity for her.  Amazing, isn't it?

Yes, it's madness, sort of. Who in their right mind would feel sympathy for an evil, villainous, sub-human monster? If written well, I would.

And since I didn't share with you a story, here's an excerpt from one of my first short stories published on Amazon, Snow Leopard. But first, a one sentence blurb to put things in context.

A human specimen is prepared for the surgical removal of her scalp, which will be transfused onto the crown of a tribal leader, King to a subhuman species of feline crossbreeds.

The surgical lines outlined the subject's forehead with a path leading toward the nape of the neck. Fiona placed both hands in the middle of the subject's forehead. She sank two nails into the flesh and dark droplets of blood seeped onto the clean surface of the skin, one droplet meandering down the slope of the nose, sinking into the crevice of the nostril, and finding its way to the lips, where it emptied itself like a creek into the mouth of a river.

They worked better than a scalpel, moving to either side of each temple and then around the ears. Fiona continued with the incision until she reached the endpoint at the back of the neck, not missing any strands of the precious red mane. When the incision was complete, Fiona looked at Franz and nodded.  
He reached over and pinched the edges of the subject's exposed skin at the top of the forehead, careful to maintain a grip, the blood slipping between his fingers. He was not a surgeon, yet grateful for not having to maintain his nails like Fiona. 
He pulled the bloody skin away from the skull. It peeled much like the skin of a grape. He maintained the integrity of the incision by following along the slit, pulling the skin away from the thin membrane protecting the skull. When the entire scalp was free, he plopped the newly acquired piece onto the slab of ice. He would later wheel it into the adjoining room, where lay Han, the tribe leader awaiting his prized mane of red human hair. 

What captivates you and keeps you engrossed in a fictional world?



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Tuesday, May 6, 2014

5 Motives For Animals in Fiction

I asked Tim to recall all the fictional novels he's read (or movies watched) where animals played a part. I did this because I was curious to know what other readers would come up with, not just me. He named the novels (movies) and I noticed there were, to me, different motivations for animals appearing as characters, even the walk-ons. These are the ones I found.


Please Like My Protagonist

At most conferences I've attended and online writing classes I've taken, the speakers have discussed this thing referred to as "pet the dog" which simply means get the reader to instantly like your protagonist. Whenever any character shows affection toward an animal, it will create this connection with your reader. How about an Orangutan? Remember Clyde in Every Which Way But Loose and its sequel? Best sidekick EVER!




Here's a quick example. When a cop picks up that cute puppy in an alley while searching for some bad guy, notice he gives it a quick snuggle before tucking it safely behind some dumpster? Now, back to the bad guy and doing the much needed deed, moving the plot along. It's not realistic, but it works. The cop has a soft spot, even while in the middle of a very dangerous chase. This cute scenario doesn't really belong in the story, but it serves one of two purposes for supplying elements which seem out of place. It adds to character development. The other would be to further the plot, which it does not.


Creating Conflicting Emotions

Two elements I love to experience at the same time are feeling my love for humanity and feeling love for a helpless NON-human type. How does one promote love for humanity? Um, you have an horrific animal which causes incomprehensible damage to society. Think King Kong, Godzilla, Food of the Gods, and Jaws. It's man against this indestructible creature wreaking havoc upon their villages.

And don't give these creatures any qualities that make them human, like King Kong actually falling in love with the girl. NOooooooo!!!! Now we have to like the creature, and that defeats the purpose of bringing society together to kill it. Talk about conflicting emotions for your readers.

In Jaws, the mother was protecting her 15 foot baby the fishermen killed! Those bastards. Of course, any mother would go after them murderers, and with great vengeance. How do you hate such a creature?


Creating Horror and Anticipation

One of the things in fiction that has a remarkable affect on readers, and I say this from my own experience as an avid reader of horror, is the mention of acts performed by domestic animals, acts we cannot deny but we cringe knowing of them. Like the cannibalism of hamsters when one of their own becomes ill. No, our pets are not cannibals!

Authors remind us of the horrors we wish to deny. They torture us with these tidbits of information, reminding our kindred of the evil which exists in our innocent world, the one we so desperately seek to escape. MWAHAHAHAHA!!

A stray dog wouldn't eat the scalp off a dead man. But, what if he'd been abandoned and was hungry, like the one in Stephen King's Gerald's Game? I think King described it like the sound of pulling up carpet? I don't care how hungry my Maggie ever gets, she'd never eat my scalp!





Promoting Religious Views

So, what does it say to you, the reader, when you read about the family pet who died? Pet Sematary is an example. Karma? Did you get a sense that the author had a particular religion they were depicting or did it just seem creepy to you? Coming back to life: evil times 3! I'm not suggesting this was the intent, but when I read the book, I felt a lot of ceremony in it.


Political Dissidence

Animal Farm is a great example of this, but that's literary stuff, so who cares? :)  Read it!

I use animals in my short story Snow Leopard. The cats in my story are major characters and they play a very prominent role in how I feel about political dissidence in America today. They are tools and my intent has always been the hope that my readers will relate on a deeper level at some point.


Okay, I admit, I'm being overly harsh on the writers out there, but I want to know. Do you think about why you include animals in your scenarios? Do you ever wonder why you find the need to include them? I think it's okay to do it, I just wonder if you know why you do it and do these specific reasons I point out hit the mark?



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Monday, April 28, 2014

Word of the Day - Technology

It should be no surprise when I tell you I am a software developer. My background is pretty diverse in the field of technology, so I'm sharing with you some reactions to different scenarios in the IT world. Not every technologist will have similar reactions, but I'm willing to bet that the majority of us do.

tech·nol·o·gy  [tek-nol-uh-jee]
noun

1.
the branch of knowledge that deals with the creation and use of technical means and their interrelation with life, society, and the environment, drawing upon such subjects as industrial arts, engineering, applied science, and pure science.



I was recently asked to provide a simple email confirmation for those members registering for an event. Knowing this to be a task I could complete in less than 30 minutes: creation, testing, and implementation, I looked forward to the work. However, after using the Lotus Notes Designer Client on my PC and having experienced several instances of computer seizures and restarts, I was left completely spent and frustrated.




So the years pass. I'm not just a worker, you know. I've applied for promotions into management many times. Yet, many times those opportunities just were not for me or it wasn't my time. No matter which jobs I applied for in hopes to climb out of the restrictive claws of technology in order to make a difference, I have been met with disappointment. Either someone else got the job or it mysteriously disappeared.




Technology is forever changing, so if you're not changing with it, it's easy to get left behind, especially if you keep doing the same job with no opportunity for advancement. Because I refuse to be that person, I learn as much about technology as I can.

As a matter of fact, much of my time is spent learning new technology, new languages, and new development environments. I may not be in a position to use what I've learned at the moment, but it feels good knowing how things work, all the while keeping the current processes from falling apart.

I have a B.S. in Computer Science and 16 years experience and the hardest part of my job is trying to figure out how to answer this basic question, "Can you just tell me how to do it and I'll do it myself?"




Listen, if technology were that simple, everybody would be a developer. Many years ago, you could get away with just showing someone how to operate a tape drive in one of those clunky mainframes. Clearing the telephone queue when it bottlenecks? No problem! Push this button.

But see, technology looks simple today because so much of the complexities are hidden from the average user. They don't see the algorithms, the code, or the architecture involved in the creation and maintenance of a variety of systems. Everything should work just like the stuff on your iPhone, right?




So, whenever a mature IT crowd, and I use that term respectfully because we have a ton of experience and knowledge in the progression of this thing called infrastructure, whenever they get a new boss fresh out of college and he wants to switch to .NET, it's like...




In all honesty, if I didn't love my job and the people I work with, I wouldn't be able to provide this information so freely and without prejudice. If you can relate, don't be afraid to make it known how you feel. Technology isn't just frustration for the average person. I feel it too! We are all making it through life with constant change, whether it's technology or something else. How you deal with it along the way can make you a better person. So, as technology improves, so do you!



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Sunday, April 13, 2014

When a Writer Questions an Artist

What happens when a writer questions the written words of a truly talented artist? Something completely unexpected and rather embarrassing is the answer.

One thing I would never do is question a literary icon about intent when it comes to his creations. If you don't understand allegories or metaphors, you have no business correcting someone about their artistic work on a technical level. My new hero is Don Henley (Eagles), for his answer to John Soeder in 2009 while being interviewed for The Plain Dealer. This man dared to correct an artist's choice of words.

The interview question?

On "Hotel California," you sing: "So I called up the captain / 'Please bring me my wine' / He said, 'We haven't had that spirit here since 1969.'" I realize I'm probably not the first to bring this to your attention, but wine isn't a spirit. Wine is fermented; spirits are distilled. Do you regret that lyric?

Assuming by "spirit" Henley must be referencing the wine in his written words, Soeder belittles the artist with his obnoxious question about regrets.

I love Henley's response:

Thanks for the tutorial and, no, you're not the first to bring this to my attention—and you're not the first to completely misinterpret the lyric and miss the metaphor. Believe me, I've consumed enough alcoholic beverages in my time to know how they are made and what the proper nomenclature is. But that line in the song has little or nothing to do with alcoholic beverages. It's a sociopolitical statement. My only regret would be having to explain it in detail to you, which would defeat the purpose of using literary devices in songwriting and lower the discussion to some silly and irrelevant argument about chemical processes.[1]

SuuuuLAM!!

This must have been a memorable moment for Mr. Soeder as he mentioned it while announcing his retirement back in 2012.

Don Henley and I locked horns, too, because I had the nerve to ask him about the wine-spirit confusion in the Eagles hit "Hotel California"; you can read all about it on Wikipedia.[2]

I'm making a correction here. You didn't "lock horns" with Henley, Mr. Soeder. What happened was something of the nature "he ate your lunch."

Let this be a lesson to the critics out there. Don't always assume your corrections mean anything to the Poet/Songwriter/Artist. We all love music, but if you want music to love you back, treat it with the respect it deserves.







1. Soeder, John. "Don Henley gets into the spirit talking about 'Hotel California'" The Plain Dealer March 20, 2009: T14

2. http://www.cleveland.com/pdq/index.ssf/2012/09/pop_music_critic_john_soeder_s.html



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Tuesday, September 24, 2013

The Art of Sign Disobedience Part I

Many of my articles deal with writing and the progress I've made in the past several years. I try to share most of my experiences with you. This article is no different, but we’re not discussing my writing. We’re discussing the writing crafted by those folks who design signs and those of us who read them, or not.

But Diane, why are we discussing signs? I’m interested in fiction. How about some grammar tips or helpful links instead? Okay, here's one: It's okay to break grammar rules. Onward!

We’re discussing signs because I’m feeling a little rebellious this week and my +Threshold RPG friends have been oh so encouraging with their own willful disobedience when it comes to signs. Let me explain.

It started with a sign I’d come across during my trip home from Savannah, Georgia.



I couldn't help but wonder if the crow’s attempt at stirring my muse was a bit intentional. God speaks to me in many ways, but this was too odd. A crow mocking the words on a sign had me in stitches, so I posted the photo on my Facebook page. And thus began the sharing of sign disobedience photos.




This one had been posted by the Administrator of Threshold, known to me and my Thresher friends as Aristotle. You rebellious rule breaker, you!

Anyway, now we’re getting into some really intentional stuff here. I know the crows can be explained because, obviously, they can’t read. But Threshers read. We must, or else we meet our own demise. See “The Importance of Reading in a Text Based RPG” and “10 Profound Mistakes Made by RPG Players.”

But what if...what if people really aren't reading? Maybe signs are posted in the wrong places. Like, maybe a sign posted directly in front of people - like this one.




Nope. Apparently, if you look somewhere other than directly in front of you, this is excusable. Really, it is. What if someone stumbled into this dude and he spilled his Latte Grande all over the Asian’s device and damaged it? Oh, excuse me. How do I know she’s Asian? Trust me, I know...she’s got a camera doesn't she?

So this gives us the unintentional, the intentional, and the excusable. What next? The exception.




Obviously, this rule is not enforceable. My driver’s license prohibits me from driving without my glasses. How else would I find my car in the parking lot if I’m not wearing my glasses? Hmmm.

I did point this out to the owner of the establishment, but the sign remains. And so does my willful disobedience.

Then there’s the incidental rule breaking. The one that happens just before you read the sign declaring said rule. This happened to me while visiting my husband in Gainesville at the Red Roof Inn after his surgery.




I salute rule #6 just before finishing my Miller Lite. Don’t you think these rules should be posted on the outside of the gate rather than on the inside? Hell, I’d already broken the rule as soon as I stepped into the pool area and before closing the gate behind me.

From www.dictionary.com in-ci-den-tal: adjective 1. happening or likely to happen in an unplanned or subordinate conjunction with something else.

Get it?

Then we have the Master Kard, the connoisseur of sign disobedience.




Con-nois-seur: noun 1. a person who is especially competent to pass critical judgments in an art, particularly one of the fine arts, or in matters of taste.

Thank you to all my Thresher friends for sharing their photos!

If you have a photo depicting sign disobedience, please post a link in the comments.

If you care to, please vote for your favorite rebel.



Wednesday, April 17, 2013

Chapter Three - The Rapture

Another place holder.

If you have a desire to contribute ideas, please use my contact form and in the subject list "Online Story Writing".

Thanks for stopping by!



R is for Roles In The Writer’s Dreamkit


Think about the roles of the characters in your novel. Do you have a balance in the types of characters you depict? I was curious about my own novel and poured over the plot to ensure I had a healthy balance of these types of roles found in Writer's DreamKit, a novel writing software application my husband purchased for me as a gift last Christmas.

The Protagonist – This is the character who will journey forward through crisis and change.

My protagonist, Kelly Cooper, definitely encounters crisis and she develops from a rebellious, down trodden detective into a fighter of justice for the dead.



Antagonist – This is the bad guy, and not necessarily the villain.

Though I have a serial killer on the loose in my novel, he's not clearly the main antagonist. Lyle Adams is an egotistical and proud detective who seeks to keep Kelly from performing optimally. He keeps information from her and he even lies when he has an opportunity to help her. The reason for his actions will be revealed later, but yes, he is definitely the main antagonist in Precinct 9.



Guardian/Mentor – This is the voice of change for the protagonist. This is the character who unveils the weakness in our protagonist and who challenges her to surpass her obstacles, driving her toward her goal (change).

Captain Grant Elliot, Kelly's new boss, is definitely the mentor in Precinct 9. He believes in her, even though all evidence indicates she murdered her ex-boss. He, at times, and without his knowledge, provides her with all the tools and opportunities she needs to fulfill her tasks. He has a duplicate role as the reasoning character, the one who takes action based on logic, not emotion.



Tempter – This is the character who sides with the antagonist. He also does not want the protagonist to succeed, though his reasons are completely different from that of the antagonist.  He and the antagonist do not have to team up, nor must they know each other.

The killer in my novel doesn't want Kelly to succeed. He'd rather her remain impotent,  keeping her from discovering his identity and bringing him to justice. He tempts her, in a fashion, leaving his digital prints all over the Internet. However, Lyle's antagonism stems from pure pride and ego, having missed opportunities in capturing the killer years ago.



Sidekick – The best friend, the loyal brother, the doting mother, they can all be sidekicks. This character is so close to the protagonist that they at times become frustrated and accrue angst over their loved one’s fate or future.

Do I have a sidekick? Yes. Kelly has Benjamin at her side. He is a large, Belgian Shepherd she acquired during her years serving as a K-9 handler. He's very loyal and protective over his master. He has a duplicate role as the emotion character, one which responds with feeling, whether angry or joyful. Can an animal character be an emotion character? They can in MY novel!




Skeptic – This character does not believe in the importance of the overall goal of the protagonist. The skeptic has her own goals and will protect those over those of the protagonist.

Kelly's mother is the main skeptic. She thinks Kelly needs to find a man and settle down. You know, have children. Kelly has no intention of continuing with the awkward, casual dates her mother insists upon. How else is she to find a man? Besides, men are scum. Read about the minor skeptic next.

I do have a minor role for another skeptic. It is Kelly's ex-boss. The reason she'd been transferred out of his precinct is because she had lodged a complaint against a fellow officer and the boss didn't want an embarrassing scandal on his hands. He eventually gets murdered, because skepticism has no place, long term, in my novel. His murder quickly becomes an obstacle for Kelly, since all evidence points to her as the suspect.


How many of these archetypes fall within your current work in progress? Which is your favorite archetype?


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Monday, January 21, 2013

Characters Who Won't Leave


Ever had characters stuck in your head who never go away? I do, and I can't get rid of them. I will never write a story about them. They do not belong in anything I am currently working on where I can insert them as secondary characters. So, why won't they leave me alone?

When I hear one speak to me, I will at least give him a name so he will shut up and stop disturbing my thoughts. Another chimes in with her toothy grin and I tell her to go away. She laughs, slapping her knee like I'd made some funny ass comment. I give her a name and ask her to leave. She refuses.

This is my last effort to get these demons to find a home elsewhere. The only way I can get them to shut up and leave me alone is to write about them. I'm giving you short, sweet blurbs to introduce them and all their obnoxious, narcissistic drama.

Cleavis Johnson works at the local marina. He operates the boat-lift  and when boats are not docking after a long day at sea, Cleavis sits on the wooden benches outside the storefront, waiting for the next vessel to approach. He'll smoke his pipe, his fat fingers almost covering the entire bowl. Cleavis is a big man and when he talks, his lips barely touch, probably in order to accommodate his oversized teeth. Even though I have no place for him, he continues to smoke his pipe and talk about all kinds of things which have nothing to do with me or my novel.

Betty Pickerton lost her two front teeth in a bar fight when she was 22 years old. She couldn't afford dental work, but once she turned 30 she didn't care anymore. She had already landed a life-long mate, Johnny Ray. Johnny died in a hunting accident two weeks before they were fixing to get hitched. Now she's 52 years old and guards her 12 x 55 trailer with a sawed off shotgun to keep out the riff raff. When there is a demand for Deliverance, The Reunion, I will consider a spot for you, Betty.

Chesney James dropped out of high school to take care of her alcoholic mother. When she's not decked out in studded, black leather with her hair gelled into five equal spikes, she's holed up in her room cutting on herself. She threatens to take her life if I don't write about her. So, here it is, I'm writing about her. Now, Chesney, I don't write emo stories, so please, please, PLEASE, shut it!

Carrie Chiles works at the Foxy Lady Lounge as a dancer. She won't turn down a good offer when solicited during private sessions in the back. What she does after working hours is her business, literally. She has this notion that if I write about all her sordid deeds, I could make a crap-load of money from all the horny housewives who purchased copies of 50 Shades of Gray. Carrie, I do not write erotica. And even if I did, I don't do sloppy seconds.


Who are some of the characters that disturb your thoughts while you are crafting your novel? Why do you think they are there and what do you think they are looking for?

Wednesday, September 5, 2012

7 Antagonists I Love And Why

This month's prompt at Absolute Write
The Number Seven

September used to be the seventh month of the old Roman calendar and its name literally means seventh "month," so this month is brought to you by 7. Write wherever the prompt inspires you, fiction or non-fiction, prose or poetry. Do try and keep things at a PG-13 level, though.

NORMAN BATES, PSYCHO - Owner of the Bates Motel. Why does this character appeal to me so much? Because, though he is a brutal murderer, we discover his quirkiness, prone to violence, is a mask for the immense guilt he possesses over murdering his own mother. He had been jealous she'd found a lover. This sort of Oedipus complex lends him a weakness which he struggles to suppress. How can you NOT find some sympathy for this character?

WHITE GOODMAN, DODGEBALL - What a despicable, low-class, egotistical prick, right? However nasty a character is, they can be totally redeemed, especially if they make you laugh your ass off. That is all. 

NURSE RATCHED, ONE FLEW OVER THE CUCKOO'S NEST - What a wicked, wicked woman! Think about what she is struggling with when she insists on keeping these patients "cuckoo". Control and order is what she desperately seeks, and when her patients question her over her antics, she is taken back. We get the first glimpse into her evil mind when her authority is questioned. Let that nutty McMurphy disturb the order and look out! You're messing with her domain. She's under-handed and evil to the core, but...at least she's in control, right? How can you not love this woman?

DARTH VADER, STAR WARS - I feel for this guy. He's trying hard to maintain his power. He can order people killed and it is done. People fear him; he is the almighty Darth Vader! One problem, he can't get his own son to see his greatness. It's not evil, my son...it's the dark side. This poor guy can't get through to his son. How horrible is that for him?

TOMMY DEVITO, GOODFELLAS - He's a small guy with a really big internal wound. Don't laugh at him. Call him a bastard, whack his friend, just don't laugh at him. How hard is that? He’s loud, he’s a bully, and if you’re getting laughs at his expense, he’ll kill you. Flawed? Yes! You want him on your side if there is going to be any misunderstanding. You find yourself saying to people, "Hey, seriously, just don't look at him funny, okay?”

DR. HANNIBAL LECTER, SILENCE OF THE LAMBS - He is a cannibalistic serial killer who understands the human spirit, comes from a background which would drive anyone insane (opinion), and he'll eat your face off. What's not to like? Seriously, this character has shown compassion. He becomes a mentor to Clarice, the young, ambitious FBI agent, giving her clues which help her to find a serial killer. He later writes her a letter wishing her well. What a great man!

GOLLUM (Smeagle), THE LORD OF THE RINGS TRILOGY - You can't trust that deformed monster. He wants his Precious! He'll do anything for it. I can't help feeling pity for this character though. I want to give him the ring and wish him the best in his life as a deformed outcast. Poor thing!




So, who are your favorite antagonists and why?